New Year’s, Almost

Kids can, at least, appreciate blowing shit up

I have no idea why we would be motivated to do this, but we tried to get our kids to make it to midnight. Sure, they aren’t all that different from other partygoers: like any hard-swilling hipster worth his salt, a kid might cry or wet himself during a particularly long party. But stretching a first-grader to midnight is a dubious plan, not least because of this fact:

They have very little sense of time.

I’m not just talking about 7pm versus 10pm versus midnight. Clearly the child-mind gets hazy about what clocks mean around bedtime anyhow.

But the bigger issue, New Year’s Eve as a holiday is entirely predicated on having made the developmental leap into understanding time in general, and specifically the passage of time. This makes it a challenging milestone for small kids. Christmas is easy: it’s just another birthday party. Channukah is understandable (if weird—kids who are growing up around smartphones probably can’t relate to the miracles of lamp-oil). Even death-centric Easter makes sense, at least to kids who have lost a grandparent or a pet, though one could ask rightfully what the hell a rabbit has to do with the death and also, while we’re at it, why grandma isn’t able to rise from the dead like Christ if that is really the Easter story.

But New Year’s Eve has got to be a strange thing indeed to someone who really doesn’t understand was 2012 was. So while I puzzled over how Carson Daly ever got a job working in television, my daughter chewed over the concepts of time and remembrance in her head, and ended up not really caring that much. Not yet, anyhow.

Which was for the best, in the end. Because her and her preschool son weren’t fated to make it to midnight anyway. They crashed around 10:30pm, and then slept through the fireworks and faint whoohooing from the street and the NYPD sirens and all the other things that make New York on New Year’s an assault on the senses. It was still a party—with two friends their age staying and their mother staying over with us from out of town, it was actually a monumental chocolate-eating pillow-fighting, milk-guzzling blowout. But they just didn’t trouble themselves with why they were partying, or why we didn’t care if they slept or not, or what 2013 will even be about.

I’m not often jealous of my kids, but I was last night. It’s a beautiful thing, to not be able to size up 2012 in any way or to form any anxieties about 2013. We should all be so lucky.

DADWAGON + THE ATLANTIC, VOLUME 3: WHEN DID WE BECOME GROWNUPS?

Originally posted at The Atlantic

I just got back a couple days ago from a reporting trip to the Western Cape of South Africa, which included some time with farmworkers mourning the death of Michael Daniels, a young father shot dead by police during a wage protest. There was a visitation of the body, a politically charged funeral, a graveside sermon and afterwards, a traditional meal—the after tears, it’s called—back at the deceased’s house. For the adults, it was grilled chicken and rice, and for the children, it was an African version of Irish stew, which means a runny plate of boiled potatoes, carrots and peas.

“Only the adults get meat,” one of Daniels’s friends told me. “Children won’t get chicken until they’re 11 or 12.”

In the poor farmlands of the Western Cape, then, this is at least one definition of adulthood: you get chicken.Back in the States, there are few such bright lines. Children eat chicken, adults eat popsicles and drink fizzy drinks, and as Christopher Noxon pointed out in his highly entertaining book Rejuvenile, Disney World is the world’s top vacation spot for adults (that means, without kids in tow).

All this self-infantilizing, of course, has everything to do with the main difference between us Rejuveniles and, say, African farmworkers: We are wealthy and idle enough to delay adulthood, or even, god forbid, write posts on the Internet about the onset of adulthood.

Further contributors to the confusion: We have this wealth but lack any unifying customs. We don’t have something like a toga virilis, the chalk-white robe Romans wore to mark manhood after it was time to offer their childhood amulets up to household gods. A suit and tie is a close approximation, I suppose, whether you’re the managing director of Bain Capital or a shift manager at Applebee’s. But still, for those of us who eschew Jewish or Wiccan or Catholic rites of passage, and who don’t have to get dressed to work, it’s up to us to define what manhood is and when it happens.

And on that score, I have no answers. I wake, I eat, I try not to lose my temper at my lovely children, and then I travel for work to places where I’m absolutely sandblasted by the miseries and occasional joys of others. Life is full and enervating and confusing enough without trying to wedge a definition of manhood into it. Case in point: on the nearly 16-hour flight back to New York from South Africa, I spent some time going through my notes, and even more time playing a boxing game on my iPhone. Does that make me a child? A man-child? A rejuvenile? I don’t know. But when the dinner cart finally made it to the back of the plane where I sat, I ordered the chicken, whether or not I deserved it.

–Nathan

One recent Monday morning, I was telling a co-worker about my weekend: There had been a playdate with my daughter, Sasha, and one of her friends, and I’d been having some trouble with my apartment’s hot-water heater, and I’d gone shopping at the farmers’ market for vegetables for the week. All in all, nothing special. Just a typical Brooklyn weekend.

But for my co-worker, this was amazing. “You’re a real grown-up!” she said.

I wasn’t quite sure what to say. I’m still relatively new to the working world. After freelancing for the last eight years, I’ve only just taken a full-time job—and it’s one where I’m at least a decade older than almost everyone on my team. At the age of 38, married, with kids, a mortgage, a beard, and a receding hairline, I suppose I must really seem like an adult to them.

If only I seemed like that to myself! Though I never wanted to be one of those much-derided man-children loafing around Brooklyn coffee shops—“grups,” New York magazine dubbed them—I was never all that eager to embrace the traditional outward markers of adulthood: suit and tie, office job, lightless dead eyes. And in truth, I’d always felt like a child. The sense of smallness and powerlessness that are a child’s everyday experience had never fully left me. When I’d look at my own father, a tenured history professor, I could never imagine becoming like him. And when I looked at kids, I felt nothing but sympathy—I know what you’re going through—and imagined they were looking at me and thinking, Dude, you look older, but I see through you; you’re just like me.

Still, degree by degree, things shifted. Six years ago, I grew a beard, mostly because, clean-shaven, I looked like I was still 17 years old. I invested in some good shirts and stylish blazers—not office-drone garb, but clothes I felt comfortable in. And, of course, I got married and had kids and bought an apartment. Inside, I felt no different from before—small, nervous, new to everything—but apparently I was. Or, quite possibly, the world was different, not in its essence but in how it viewed me. My own children, for example, will never see me as anything but a grown-up, and as they age, the kids of her generation will see me that way, too. One day, my daughters may look at me as I looked at my own father, and think: How am I ever going to become that?

The secret (which is only a secret to those still too young to have experienced it) is that adulthood is not something we consciously embrace, a set of rules we one day agree to follow. It’s a set of perceptions and assumptions that everyone has about us, though we may still feel like children inside. How the hell did I become an adult? It’s because the young people at my office decided I was. And one day, 10 or 15 years from now, it’ll happen to them, too. We all grow up, whether we want to or not.

–Matt

Life with my second wife began not with a cinematic meet-cute but a brisk phone call, during which I explained that ours would be a part-time dalliance. I was divorced, or nearly so, at any rate, and had a child who lived with me half of every week. (Joint physical and legal custody—a phrase only a divorced father could love! My son was young enough to fall under the so-called Tender Years Doctrine, which presumes that fit mothers are entitled to full custody of children under five, a judicial bias that supposedly no longer exists, but that my attorney assured me most certainly does, and which my ex, to her credit, never attempted to exploit.) Because I didn’t introduce casual dates to my son, Tomoko would have to be comfortable with an amorous schedule governed by the my night/her night dichotomy under which I lived.

These terms, I added, were non-negotiable, and it was up to her to accept them or not. Question her sanity, if you must, but she consented, and so we strolled in the park when I had time, explored the city when I was free, caught movies on the nights I wasn’t needed as a father.

Eventually, Tomoko invited me to meet her friends, a group of childless, 30-something singletons with whom she shared a summer home on Fire Island. They came each Sunday for an early dinner, and Tomoko warmly and maternally fed them, sat for their tales of dating woe, and provided a focal point for their lives.

It was a tricky occasion. I would be offering myself up for inspection by a clique of protective and well-meaning independents, all of whom, I imagined, would expect copies of a recent resume and credit report, a list of references, my genetic particulars, plus a non-refundable application fee, before deeming me a suitable match. I decided that I wouldn’t have it. A grown man, with a child, ex-wife, mortgage, dog, car, and an attorney vacationing lavishly on his $50,000 in legal fees, need ask for no one’s approval.

The night went well. The friends proved fine people, funny and harried and acerbic in the way of New Yorkers, and not nearly as scrutinizing as I had feared. And it was true: I didn’t need their approval—they needed mine. Tomoko and I shared that sense of mutual possession that comes with falling in love. She was with me, we were alone together among people, and I was entitled to resolve their value rather than the other way round.

What does any of this have to be with being an adult? Well, that night after dinner I entered into a lengthy discussion with one of Tomoko’s friends about his efforts to purchase a couch. He was a finance guy of some sort, successful enough, with money to waste on a couple of sports cars and an apartment in Manhattan. It turned out that he’d been at this for months. He just couldn’t decide—what style, what fabric, which size, never mind color—the whole thing, he said, was bedeviling him no end. This commitment, this furniture, represented a stark and binary choice (sectional or no?) that would irrevocably alter the course of his life. He could not, in good conscience, take it lightly.

The conversation spun me from the room. I nodded with sympathy, but my mind was with my son who was spending yet another night without me. As Tomoko’s friend wrestled with the vexatious dilemma of a two-pillow or three-pillow existence, I obsessed over babysitters and pediatricians and the punitive costs of daycare. I wanted to grab him by throat and shout, Grow up! It’s just a couch!

Which it was, and I didn’t. Wouldn’t be the adult thing to do. Instead, I sipped my wine, slipped an arm around Tomoko, and with self-congratulatory condescension, surveyed him from the remove of what I will allow myself to call the real world.

It wasn’t long after that I introduced Tomoko to my son. Soon, we moved in together, commingling our lives in ways that made irrelevant whether it was “my night.”

–Theodore

Sandy Hook, A View From the Fringe

The ‘Fringe’ heroes.

Over the last few years, I’ve become a fairly devoted fan of the TV show Fringe, now in its fifth and final season on Fox. I don’t know if you’ve ever watched it—I get the sense its ratings aren’t too hot, which is why it’s ending—but it’s surprisingly good, particularly considering it comes from the J.J. Abrams wonder factory, better known for creating mysteries than solving them.

Anyway, Fringe revolves around the lives of three people: Olivia Dunham, a tough FBI agent with a photographic memory; Peter Bishop, a rebellious young scientist; and Walter Bishop, Peter’s father, an aging scientist who’s spent the last couple of decades in an insane asylum. Together they investigate “Fringe events,” bizarre crimes with a far-out scientific angle—people who suddenly transform into monster hedgehogs, killers who can liquefy your brain, shape-shifters, and so on. Of course, there’s an overarching mythology-conspiracy tying everything together, slowly revealed over the course of many episodes (spoiler: it involves multiple universes and an ominous post-human race called the Observers).

Quite satisfyingly, the mythology pretty much holds together: This ain’t lost. But what makes the show fun to watch are those main characters—particularly Walter Bishop, an acid-dropping, milkshake-concocting, bathrobe-wearing genius (played by the wonderfully crinkly-faced John Noble)—and the consistency of the themes that emerge from their interactions. The first seasons are about Olivia coming to terms with her childhood traumas, and about Walter’s attempts to rebuild his relationship with his distrustful son Peter, who didn’t really appreciate Dad’s going crazy when he was a teen. The tension builds across the seasons as we learn that Walter, the genius scientist, had done terrible things in his earlier years—experiments that, while seemingly high-minded, were truly unethical, destroyed the relationships everyone is now trying to mend, and may have led to many of the bizarre fringe events the team is now trying to solve.

Again and again through the show, parents like Walter (and, later, Olivia and Peter) use all their formidable powers to try to create a better world for the future—for their children—and yet hubris reigns: The world they create turns out to be more dangerous, threatening not only their own children’s lives but everyone’s. They are geniuses, highly professional law-enforcement agents, and devoted whiskey drinkers, and yet, no matter how many battles they win, against other rogue scientists, against hedgehog men, against the disintegrating fabric of the universe, THERE IS NOTHING THEY CAN DO. All will lose the people they love—their children, their parents, everything they love.

As I watched the show last night, this theme was perhaps more in my mind than usual. The massacre at Sandy Hook, which only slowly filtered into my attention through the course of the day, had left me horrified, uncomfortable, but also weirdly numb. I can’t imagine being one of those parents, learning their children had been killed in an utterly senseless slaughter—or rather, I can all too easily imagine it. These things happen, more and more often it seems—just that morning, some guy killed 22 kids at a school in China with a knife—and it feels like it’s only a matter of time before it happens to us. What were once “fringe events” are now daily reality.

And so I ask myself (as many other parents are probably asking): What can I do about it? And I answer myself: not much. Unless I want to quit my job, home-school my daughters, and never leave them alone for a single second, they are going to be out there in the world—at day care, in kindergarten, hanging out with their friends at libraries, malls, movie theaters, boarding airplanes for far-off lands, or just walking down the wrong street on the wrong day. I can teach Sasha and Sandy (not the most popular name now, I guess) to be ready for calamity—and indeed, Sasha’s school did so yesterday, having the kids practice hiding under a shelf and telling them, according to Sasha, that they did a “fabulous” job.

But readiness only goes so far, and hiding under a shelf is no guarantee that some 20-year-old with Asperger’s won’t slaughter my child for reasons no one will ever really understand. There are matters beyond my control—beyond all our control.

Or are they? Clamping down on guns would help. Improving access to mental-heath care would help. I guess. Insert whatever practical-sounding, reasonable approaches you like here—I’d vote for them, maybe even fight for them. Those things would help.

Or not. Maybe those things would just help preserve our illusion of control. Maybe, as with Walter Bishop, our best intentions will bring unintended consequences. Maybe we’ve fucked this world up so deeply in the past 50 years that there’s nothing we can do but cross our fingers we’ll somehow make it out the other end, live good, long lives, and watch our children grow into adults and start their own families. That’s what I hope for at least, but then I’m seized with a final fear: that the day after my own death, some unspeakable calamity will befall the loved ones I’ve left behind, that despite all I’ve done to keep them safe, their universe will be torn asunder, and that it will never be fully repaired, not even five seasons later.

I don’t mean this to be as utterly depressing as it sounds. In fact, it’s somewhat liberating. Knowing you can’t control the universe, knowing that you will die, that your children will die, that these are the most certain of certainties in our world means that we shouldn’t worry about them, that we should care instead about the moments we have together, however short and uncertain they may be. My daughters could be killed at school next week—or they might not. As likely as the calamities may seem, the lack of calamity is probably just as likely, maybe even more likely. We could all just go on and on, living happy, boring lives, and dying slightly less happy, but equally boring deaths, for generation after generation. So go, eat, drink, be merry, listen to the Flaming Lips, and as President Obama said yesterday, “Hug your children tighter tonight.” And every night.

Fuck Fuck Fuck

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WHAT THE FUCK IS WRONG WITH PEOPLE?

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